Observation lies at the heart of Ian de Souza's painting practice. For more than four decades, the Australian artist has developed a disciplined approach grounded in drawing and the direct experience of landscape.
Port to Pilbara brings together two environments that have shaped his artistic vision: the maritime architecture of Fremantle and the ancient geological formations of the Pilbara, both executed en plein air.
The port city has long anchored the artist's life and practice. This series of monochrome drawings and paintings explores the geometry and rhythm of the built environment. The Fremantle Bridge appears as a recurring motif - an image the artist has revisited throughout his career.
In contrast, the works developed in Karijini National Park respond to the powerful geological character of the Pilbara. Iron-rich earth, deep gorges and expansive skies create a terrain of striking chromatic intensity and shifting light.
Together, the works in Port to Pilbara reflect a sustained dialogue between artist and place, revealing how landscape, memory and observation continue to shape de Souza's enduring practice.
Ian de Souza's work is held in government, corporate and private collections internationally.
